• metamorfosi
• Michelangelo Pistoletto
• Pierre Coulibeuf
• Pierre Klossowski
• simulacro

Pierre Coulibeuf is a polyhedric and original french director and artist who truly inspired me during my studies.
The first chapter of my thesis is entirely dedicated to his work as a filmmaker. His films draw inspiration from the work of other artists, such as photographers, painters, writers, dancers and performers, making his cinema an experimental field where different disciplines meet and influence each other. This meeting leads to the creation of original projects which reinvent the universe and imaginary of other artists (Michelangelo Pistoletto, Pierre Klossowski, Meg Stuart, Jan Fabre…), a game of endless repetitions, reflexes, mirror images and double identities.
The second chapter is dedicated to the mutual influences between cinema and visual arts from the pre-cinema history to nowadays and the third and fourth chapters analyze two important films of Pierre Coulibeuf: L’Homme noir and Klossowski, peintre-exorciste.