| Tesi etd-03292022-112806 | 
    Link copiato negli appunti
  
    Tipo di tesi
  
  
    Tesi di laurea magistrale
  
    Autore
  
  
    FERRA, VALERIA  
  
    URN
  
  
    etd-03292022-112806
  
    Titolo
  
  
    Wrestling with patriarchy: opposition, rebellion, and the trope of exile in the plays of Anne Devlin and Marina Carr
  
    Dipartimento
  
  
    FILOLOGIA, LETTERATURA E LINGUISTICA
  
    Corso di studi
  
  
    LINGUE, LETTERATURE E FILOLOGIE EURO - AMERICANE
  
    Relatori
  
  
    relatore  Soncini, Sara
  
    Parole chiave
  
  - 1990s
- Anne Devlin
- female characters
- Irish theatre
- Marina Carr
    Data inizio appello
  
  
    14/04/2022
  
    Consultabilità
  
  
    Completa
  
    Riassunto
  
  The works of Anne Devlin and Marina Carr portray female characters resisting patriarchal power by enacting different strategies. 
Northern Irish playwright Anne Devlin's "Ourselves Alone" (1985) and "After Easter" (1994) engage with the male-dominated Republican community during the Troubles and portray women escaping this limiting environment through the physical crossing of borders and the metaphysical access to an otherworldly dimension.
Marina Carr's "Portia Coughlan" (1996) and "By the Bog of Cats..." (1998), instead, deal with patriarchal expectations of motherhood and female behaviour; Carr’s characters resist oppression by employing physical and psychological violence and ultimately find escape from their constraints through death. Similarly to Devlin's plays, in Carr's work the trope of exile functions as symbolic representation of these women's status as outsiders.
Northern Irish playwright Anne Devlin's "Ourselves Alone" (1985) and "After Easter" (1994) engage with the male-dominated Republican community during the Troubles and portray women escaping this limiting environment through the physical crossing of borders and the metaphysical access to an otherworldly dimension.
Marina Carr's "Portia Coughlan" (1996) and "By the Bog of Cats..." (1998), instead, deal with patriarchal expectations of motherhood and female behaviour; Carr’s characters resist oppression by employing physical and psychological violence and ultimately find escape from their constraints through death. Similarly to Devlin's plays, in Carr's work the trope of exile functions as symbolic representation of these women's status as outsiders.
    File
  
  | Nome file | Dimensione | 
|---|---|
| Wrestlin...Exile.pdf | 1.13 Mb | 
| Contatta l’autore | |
 
		